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Elsa la rose

This short is very nouvelle vague, but like the previous movie, it doesn’t really seem to be Varda’s aesthetics — it’s kinda gimmicky? But it seems more heartfelt, which is rather Varda.

Hey, it’s Maria Falconetti!

Well, I dunno. It seems like the movie’s heart is in the right place, but it doesn’t tell us why we should care about these people, and the artifice of it all just makes it rather annoying?

Elsa la rose. Agnès Varda. 1966.

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