This may have been the first Cronenberg movie I watched as a teenager. It’s got Jeff Goldblum and Geena Davis! Just based on that, it’s the perfect movie to watch as a teenager.
I remember nothing else about this movie, so I’m excited to re-watch it.
This is the second of Cronenberg’s not very productive descent into big-budget American movies. I mean, just ponder this career:
After doing a rapid fire schedule, there’s about three years between his movies as he gets bigger budgets and better distribution: Three years between The Dead Zone and The Fly, two to Dead Ringers, and three to Naked Lunch.
Cronenberg’s previous movie , The Dead Zone (based on a script rewritten five times), totally sucked, and this would seem like a further descent into mainstream hell: A remake of a 50s B movie sci-fi movie.
But this low expectation set-up apparently allows Cronenberg to return to his obsessions: The body and how yucky it is. But it’s not just that: It’s got a lot of the old Cronenberg touches everywhere. It’s got the silent, awkward scenes and the proper creepy atmosphere and the really gross bodily transformations.
I’m not quite sure what I think of this movie now. There’s really not happening, or tension. The movie is Goldblum slowly turning into a horrible-looking monster, and it’s all shown clearly on the screen. There’s no skulking in the shadows for Cronenberg.
And Cronenberg playing a gynaecologist in a dream sequence is pretty on the nose.