OK, with Videodrome, Cronenberg is finally really Cronenberg: His previous movies had their moments, but with this one, I think he finally achieved what he was going for. The claustrophobic growing horror is maintained in a masterful way.
As usual, he’s casting somebody who’s basically the same body type as himself in the main part, but this time he’s gone for somebody who is basically his doppelganger (i.e., James Woods), which makes it tempting to read this movie as a thought experiment and an exploration of Cronenberg’s career: “What would happen is this gross shit I’m making is tainting the real world” or “what if this weird shit I’m watching is actually real”.
I saw this back in the 80s, but I didn’t remember that it was this good. There’s no superfluous scene; there’s no flab: It’s all horrifyingly arresting.