Blue Beetle

Once upon a time when they started doing the “insert a title into a scene”, it looked neat because they could insert a CGI object into a real scene. But nowadays? Is any of this real? Is it just all CGI and composited objects? It just makes things look even more fake than things do by default.

Oh yeah! I’m watching a super-hero movie again! Even though I had decided to stop, because they’re all mostly kinda mid. But this one (which bombed at the box office, I think) had some people going “well, it’s fun?” So I’m watching it.

Ouch. Well, I mean, it could have been worse, but they lost a substantial amount — with a $100M budget, they’d have to gross $200M to break even.

I guess this is the final pre-Gunn DC super-hero movie? So it “doesn’t count” in the “new timeline”. *rolls “eyes”*

This movie doesn’t have the typical look of a modern super-hero movie. I mean, it’s all colour-graded as fuck, but not to the usual gray/teal scale.

Oh oh! They’ve colour graded it to “Mexico”. So it’s gray/yellow instead.

Oh, and purple.

Sarandon is having so much fun playing an eeeeevil corporate eeeeevil CEO.

The CGI looks pretty good when it’s dark, or when it’s all CGI, but when they’re compositing CGI over real elements like here, it looks like compost.

Well, this feels pretty prescient now, eh?

I thought “well, final fight! that didn’t feel like two hours at all!” and I hit the “show elapsed time” button and it said “01:20”. How on Earth is there still almost an hour left…

I mean, I’m enjoying myself watching this — it is, as foretold, a fun super-hero movie, but I was kinda ready for it to be over now.

Very mecha.

If you were to ask me to list the top three super-hero movies… this probably wouldn’t be on it, but perhaps not that far off, really? Yes, it’s too long, like all super-hero movies, but it is indeed fun. I don’t really see any reason why this wouldn’t rake in the $$$s in the box office. It’s certainly better than, say, the first Wonder Woman movie, which did the big bucks.

At the time this was released, the explanation why it kinda bombed was that there was super-hero fatigue. But it’s now only two years later, and you can’t open a web browser without being confronted with people being all atwitter at the James Gunn Superman movie, or the Pedro Pascal Fantastic Four movie. Did everybody get all un-fatigued all of a sudden?

This movie has a very low rating on imdb — 5.9 — so I wondered whether it was being brigaded by racists because there’s a lot of Latino people in this. But… it doesn’t really seem to be? When that happens, you get a ton of people voting “1”, which you can just immediately dismiss, because few movies are that bad. But this has most people voting “6”, which is “meh”, which seems more honest.

So I guess people just thought this was a pretty meh movie? I mean, I do, but it’s just odd.

I don’t have any explanation for why it bombed here, but I think the narrative at the time can’t have been totally correct. I kinda feel that it should have done better than it did — did Discovery Channel dept. Warner Bros just torpedo it because it started under the previous regime? Stranger things have happened. If you look at the Superman publicity onslaught, when they want to get behind a movie, they do, and they didn’t for this one.

Blue Beetle. Angel Manuel Soto. 2023.

Woman of the Year

I’m continuing to follow Hazel Flagg’s recommendations. I like that she goes for slightly deeper cuts, because I’ve seen most (all?) of the major classics (see? no humblebrag), but not so deep cuts that they aren’t available at all.

However, some of these DVDs are a bit on the janky side. The opening sequence to this one looked horrible, but when the movie proper started, everything was OK.

Conflict! And very relevant for the situation in the US today, really.

This is the first Hepburn/Tracy movie, and it’s so obvious from the very first scene that they’ve got something special going on. It’s just a fun pairing.

Watching this makes me realise that I’ve only seen a couple of their duo movies.

Or… none of them!? Oh, I think I’ve seen the 1967 one. And possibly the 1947 one.

The bits that work are wonderful, but it’s a bit uneven. That is, the first half is brilliant, and the final scene is hilarious (even if dictated by the studio). (And makes me wonder whether Chantal Akerman ever saw this movie.)

It should have been edited down by about 20 minutes, I think, and then this would have been perfect.

Woman of the Year. George Stevens. 1942.

Chungking Express

So… there’s going to be a big dramatic reveal, I guess?

Well, I’ve only seen two movies before by Wong Kar-Wai, and I liked one (In the Mood for Love) and not the other (2046). Both were very stylish, but with shots that were cliched and overly mannered? And this looks like more of that.

On the other hand, it’s nice to see a movie like this these days — when virtually all movies are filmed without any specific lighting, and everything is colour graded into oblivion.

Wise words.

And then all of a sudden we’re in a different story? Is this an anthology movie?

This part is kinda boring. It’s just “oh she’s so kooky”.

I didn’t immediately clock it as a short wig. That’s on me.

So… er… I thought this movie looked pretty good, but was boring as fuck.

Right again. So what are the critics saying?

What the fuck is he talking about?

WHAT CONFUSION!? IT”S TWO STORIES

Honestly. People. Get a grip.

That’s more like it.

But I mean, it’s not awful. It’s OK.

Chungking Express. Wong Kar-Wai. 1994.