Target of an Assassin. Peter Collinson. 1977. 
Huh. I thought this was from that box set of public domain movies… but this is from 1977? Perhaps they got a few really cheap movies in there as well? I mean, this is from:
Which doesn’t sound very high toned.
Hm… It’s shot in South Africa and so there are drums all over the soundtrack.
My god, this is dreary. I’m bailing on this. Perhaps it’s fabulous really? But I’ll never know.
Target of an Assassin. Peter Collinson. 1977. ☐
Oh the irony!
Godzilla II: The King of the Monsters. Michael Dougherty. 2019. 
I have to say that there’s bits of this that doesn’t make that much sense. Those bits are: The beginning, the middle, and the end.
But it’s Godzilla, so it’s not like I was expecting anything else, really. The attraction is seeing some CGI monsters tear down some CGI cities while some Japanese guy talks about the Earth being out of balance and stuff. And it delivers on those points, although disappointingly enough, so much of the CGI takes place at night, under water, during a snow storm (i.e., the ideal environment for cheaping out on the CGI).
I mean, the budget was only $170M.
This movie hits all the notes of a Godzilla movie: Sometimes it’s so on the nose that you wonder whether they’re doing this as a parody of a Godzilla movie, but it’s not.
If you’re not into Godzilla, you’ll find it a total bore. But I give it all thumbs up.
Men in Black: International. F. Gary Gray. 2019. 
I only vaguely remember the first movie. Or were there two? It was… Fresh Prince and that Tommy Lee guy?
So this is … not a reboot but a sequel with new characters? The concept is basically “Bond, but with funny aliens” so it seems well suited for a series.
Oh! And here Chris Hemsworth (one of the Chris people) does play a Bond parody.
It’s a bit frustrating to watch. Every scene is like “oh… I see what they want this scene to be”… It’s so close to being fun and exciting and cool, but it’s like everything is just slightly out of phase. I can’t even pinpoint what is wrong: The effects are great, Hemsworth is very Chris and Tessa Thompson is a great smartypants rookie, and the plot is satisfyingly over-complicated.
It’s just not … sharp? It needs to be turned up a bit? Is it made for the Chinese market? It’s produced by Tencent?
I like the deadly assassins. They’re super cool.
This movie is inexplicably boring.
The film went through a troubled production due to frequent clashes between director Gray and producer Parkes, which started when the executive overseeing the project, Sony’s executive vice president of production David Beaubaire, exited the studio in the summer of 2018, and was not replaced. […] Parkes’ new script pages stripped away the early draft’s modern sensibilities, and were newly sent, daily, to Hemsworth and Thompson, who were both so confused that they hired their own dialogue writers. […] The studio tested two cuts — one put together by Gray, the other by Parkes — with the version by Parkes being chosen as the theatrical cut.
But perhaps Parkes isn’t the bad guy here:
Parkes and Gray also clashed over the color-correction process during post-production.
Because the colour grading looks great! Rich, deep and fresh colours.
