Michael Mann is another one of those directors I’ve never seen.
But the name is so familiar… and it’s because he’s the guy behind the Miami Vice TV series — so he’s basically responsible for the 80s.
This is more of a 70s movie, though.
Heh. People have noticed that modern movies usually keep the protagonist dead centre of the frame — to make it easier to post clips on tick tock or just because that’s what’s everybody’s used to now? — so it’s refreshing to see a movie where most of the shots are imbalanced like this. It’s nice.
Hey! It’s that guy!
Heh, James Caan is totally doing an impression of Jack Nicholson here.
Jack Nicholson playing a tough guy.
Hey, it’s that guy!
This is basically a heist movie… but it takes so many detours. Now they adopted a child!? That’s not very Ocean’s Fifteen.
I think. I haven’t seen any of those movies.
So it’s half heist, and half very odd relationship un-drama.
Heh heh. Cops, man.
I feel like of the classic big American male stars of the 70s, James Caan is the one that’s been forgotten the most? He was just always… there… but I guess he didn’t really have that special thing? I mean, compared to… Paul Newman/Robert Redford/Jack Nicholson/etc/etc/etc.
Hm… He had a weird 80s — did just one movie every other year or so, but after that, he did a lot of stuff… and I’ve heard about ten percent of those movies, so…
I enjoyed watching this movie… on the other hand, “so this is the final scene?” and then there was 45 minutes left.
The movie tries to do a lot, and… a lot of it’s successful? Eh, whatevs, let’s go with:
Thief. Michael Mann. 1981. ⚄



































